Resort ’26 is shaped by transition.
Resort — or pre-spring — lives in the moment between seasons, we might still be in cold, frost but we are in anticipation of sun, and all the fun that comes with it, or some of us are taking the bulls by the horn and taking ourselves to the places that have called our hearts. It is a time of escape and anticipation of leaving behind the heaviness of winter in search of something brighter, softer, more open.

This collection was designed for that shift; for travel, for discovery, and for women stepping into places they’ve never quite experienced before. Pieces that feel effortless to wear, yet expressive and dynamic

Our design process starts with what I call the 2 Fs - Fabrication + Feeling
For this capsule collection, I wanted pieces that felt wearable and intuitive, dresses you don’t have to overthink. Some silhouettes are playful and light, others more grounded and refined, but all of them are designed to feel good on the body first.
This collection isn’t about perfection. It’s about color, confidence, ease, and trusting how something makes you feel when you put it on.

Fabric guided every decision in Resort ’26.
I was drawn to materials that breathe, move, and soften with wear — fabrics that feel natural against the skin and hold their shape without feeling restrictive.
A lot of the blues came from thinking about the ocean and being in nature, that quiet calm you feel when you’re somewhere open and expansive. Other pieces lean more playful, with prints and colors that feel energetic and confident.

We played with weaving and texture in a way that allows for variation. Those small irregularities aren’t mistakes; they’re what make the piece feel alive, unique and its own one of one. All of the Adire work is done by hand, so the lines have irregularities and are not perfect, and that’s exactly the point.

In select designs, we constructed the garment first and dyed it afterward, so we could be intentional about where color and print landed on the body. It was a way of letting form guide design, rather than the other way around.
Aso- Oke appears in this collection for the first time, reworked with ease and playfulness, familiar, but unexpected.

We played with weaving and texture in a way that allows for variation. One thing we love is when you can feel the humanness in a garment. Those small irregularities aren’t mistakes; they’re what make the piece feel alive.
Some of the stripes were done by hand, which means they won’t be perfectly straight, and that’s exactly the point.

In select designs, we constructed the garment first and dyed it afterward, so we could be intentional about where color and print landed on the body. It was a way of letting form guide design, rather than the other way around.
Ashoke appears in this collection for the first time, reworked with ease and playfulness, familiar, but unexpected.